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Written by Wendy Owen, posted by
blog admin
Astronomique’s latest studio release
and first full length album, Sharp Divide, contains ten songs redefining what
synth pop is still capable of producing in 2018. The album begins in a
memorable way for me with “Forefathers” and its booming rhythm section
consisting of drummer Mitch Billings and bass player Preston Saari. Songwriting
and conceptual tandem of lead singer Logan Andra Fongemie and guitar player
Sean Hogan is evident from the first, but equally evident is the desire to
present their material as an unified band effort rather than some glorified vehicle
for their songwriting and ideas. Things take an even better turn with the album’s
second song “Side of Your Mind”, a track Fongemie puts her stamp on early and
that gives her a strong vocal melody to work with. It isn’t one of the album’s
prevalent strengths, but melody plays an underrated role in the band’s music
and it’s often invoked by Fongemie’s voice. Billings and Saari’s playing stands
out once again and practically dares the listener to not respond physically to
the song.
Bright synthesizer flares with the
opening of “We Disappear” and we’re treated to one of the rockier tracks you’ll
likely hear from Astronomique, especially thanks to Hogan’s gritty guitar work.
The synthesizer recedes once the song begins in earnest, but it continues to
provide a strong instrumental counterpoint over the course of the song. I hear “Losing
Our Control” as one of the album’s highlights and it’s in large part due to the
romping character of Fongemie’s synthesizer playing. The remaining band members
certainly contribute much to the song’s outcome, but the synth playing sets the
tone for a number of songs on Sharp Divide and this is one of its most
effective moments. Despite the mid tempo pace of the title song, there’s a more
meditative edge to the song than you hear with the earlier numbers. It isn’t a
radical departure, however, as the band’s skill with crafting a memorable
chorus comes across once again with great guitar playing from Hogan in
particular.
A swell of synthesizers opens “Unspoken”
before it launches into a slightly uptempo jaunt with Saari’s bass line popping
out of the mix and Billings’ laying down some crisp, confident accompaniment.
Saari’s bass playing, at its best, has an effortless talent for expanding the
sound of each chorus and he excels with this track. “Hardly Deliberate” has a
restless, rolling quality from the first, revolving around Hogan’s near
hypnotic guitar figure, and some key drum fills from Billings. The final song
on Sharp Divide, “Heading Nowhere”, has a slightly more ethereal quality than
its immediate predecessor with echo surrounding Fongemie’s breathy, upper
register voice more completely than before, but Astronomique intends to bring
the album to an end with a song encapsulating the band’s merits and “Heading
Nowhere” fits the bill. Few albums in any style are as solid as this 2018 release
from Astronomique and it should garner them notice they richly deserve.
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